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ORANGE
BELT: The Tiger (Chi Chi)
Element:
Sun, Lightning, Fire
The intensity
of this color corresponds to the harnessed strength and endurance
of the Tiger stylist. Fire--violent, strong, consuming with
an impassioned intensity that will penetrate with enthusiasm
and disregard for self to win at any cost. When properly directed,
it can be totally positive; when misdirected it burns to self-destruction.
Orange is the color of the Tiger who is a directed eruption
of flame continuously searing and hammering at his intended
goal.
Image
The Tiger's
image is a searing orange firestorm annihilating everything
in its path. Rather than letting fear cripple him, the Tiger
stylist uses his fear to emotionally fuel a linear and pre-programmed
jack-hammer offensive. The best defense is taken to be a continuously
and aggressively maintained attack. The Tiger builds his style
upon a firm physical foundation; physical conditioning and
power are essential for the Tiger's aggressive style.
Stance
The feet
are generally a double shoulder width apart and equally weighted
in a classical fighting horse stance. The arms are slightly
bent at the elbows and the hands are in the form of claws
and stacked with the front hand lower and closer to the front
than is the rear which is higher.
Commentary
The Tiger
stylist rechannels his fear to make it work for, rather than
against him. First, that fear provides the drive to physically
condition the body and the motivation to learn the basics
with both mind and body. Second, it will be this same fear
which drives the Tiger where it impeded the novice. Fear is
the Tiger's fire. The tangible character of the Tiger stylist
consists in his linear movement and theory of pre-planned
combat techniques. All of the Tiger's movement is straight
line. His object is to get in first and fastest, and the straight
line between himself and his opponent is shortest. The Tiger
seeks to circumvent the indecision and hesitancy born of fear
by prearranging offensive and defensive combination techniques
which anticipate all contingencies.
It is
as if the Tiger stylist seeks to create an encyclopedia of
combination techniques, comprised of at least three separate
moves but still learned as if they were a single continuous
technique, each of which is represented by a letter of the
alphabet. If a combat situation arises, then all the Tiger
stylist need do is mentally push the letter button of choice
and the corresponding combination technique is unthinkingly
and mechanically executed. Hesitation and indecision play
no part after the button is pushed; the combination technique
has been so often practiced that no further physical or mental
input or analysis is required. The intangible elements of
the Tiger dovetail with the tangible; after all, body and
mind are not separate entities but merely two different perspectives
of the same whole. For the Tiger, these intangibles are the
elements of discipline and intention. Discipline is almost
too obvious to mention.
Without
a commitment to rigorous physical conditioning and without
honestly engaging oneself in an attempt to learn new modes
of behavior, nothing is gained. However, mentally shaking
one's head and saying "oh, yes, discipline is a must" is far
different than actually living that commitment on a daily
basis. Intention means a settled direction of the mind toward
the doing of a given action. The Tiger is completely intentional.
The prearranged character of the Tiger's combat response,
presupposes this kind of intentionality. But this attitude
transcends this obvious level. Such intent meant that the
Tiger's mind is fixed and attentive, he had both a specific
purpose and aim. His intentionality indicates an initial mental
visualization of his intended weapon striking his intended
target followed by the actual occurrence of this event. The
Tiger stylist is an animal of specific purpose and preconception;
he "creates" the objects of his environment. The Tiger stylist's
appraisal of any situation gives meaning and life to objects
of that context. Things do not come to us with meaning, our
relative intention provide the meaning. A stick can be a weapon
for the Tiger stylist, but a toy for a dog, or fuel for a
fire. The "thing" as it is, is as we intend it. The tiger
is a phenomenalist, that is, the world is and can be nothing
other than the sum of our experiences of it. Our experiences
are the world. This inward turning is the first significant
meditational step toward enlightenment.
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